Richard Pryor, a trailblazer in comedy and dramatic depth, left an enduring legacy. As we revisit some of his best works, we uncover lesser-known works that are just as deserving of acclaim. This exploration of Richard Pryor’s films invites us to celebrate the profound impact he had on audiences and the film industry.
Stir Crazy
Stir Crazy, directed by Sidney Poitier, showcases Richard Pryor’s comedic brilliance alongside Gene Wilder. In this 1980 hit, the duo plays two New Yorkers wrongly convicted of a bank robbery and sent to a maximum-security prison. Their antics and attempts to escape make for a hilarious adventure, proving Pryor’s ability to blend comedy with a critique of the justice system.
Silver Streak
Silver Streak pairs Pryor with Gene Wilder in a thrilling comedy that mixes laughs with suspense. The film features Pryor as a petty criminal who helps a book editor (Wilder) solve a murder aboard a long-distance train. Their chemistry lights up the screen, providing a perfect balance of action and wit.
Harlem Nights
In Harlem Nights, Pryor stars alongside Eddie Murphy and Redd Foxx, creating a powerhouse trio in this crime comedy set during the Harlem Renaissance. Pryor plays Sugar Ray, the owner of an illegal casino who battles with gangsters and corrupt police.
California Suite
California Suite is a comedy that intertwines several plots in a Beverly Hills hotel. Pryor plays a businessman trying to salvage his marriage during a chaotic vacation. His performance in the film is both funny and touching.
Which Way Is Up?
Which Way Is Up? is a comedy that features Pryor in multiple roles, showcasing his versatility as an actor. He plays an orange picker who becomes involved in labor struggles and personal scandals. This film highlights Pryor’s unique ability to portray multiple complex characters.
Brewster’s Millions
Brewster’s Millions sees Pryor as a minor league baseball pitcher who must spend $30 million in 30 days to inherit $300 million. The catch is he can’t have any assets to show for the money at the end of the period, leading to a spree of outrageous spending. This film is a fun showcase of Pryor’s comedic talent and timing.
The Muppet Movie
In The Muppet Movie, Pryor has a cameo role as a balloon vendor, bringing his unique comedic flair to the whimsical world of the Muppets. His interaction with the beloved characters is both humorous and tender, making his brief appearance a memorable highlight.
Superman III
In Superman III, Richard Pryor plays Gus Gorman, a bumbling computer programmer turned villain. His character’s antics provide a comedic counterbalance to the usual gravitas of Superman films, making it uniquely entertaining. Although a departure from his typical roles, Pryor’s performance adds a distinctive humor to the franchise.
Lady Sings the Blues
Lady Sings the Blues features Pryor in a dramatic role as Piano Man in this biographical film about jazz legend Billie Holiday, played by Diana Ross. His portrayal of a supportive friend to the troubled singer adds depth to the film.
The Toy
In The Toy, Pryor plays a janitor who is “hired” by a wealthy businessman to be the personal toy of his spoiled son. This comedy critiques class and race relations through its absurd premise and Pryor’s heartfelt performance.
See No Evil, Hear No Evil
Reuniting with Wilder, Pryor shines in See No Evil, Hear No Evil as a blind man who teams up with a deaf man (Wilder) to solve a murder. The duo’s disability-themed antics provide not only comedy but also a unique perspective on cooperation and friendship.
Jo Jo Dancer, Your Life Is Calling
Jo Jo Dancer, Your Life Is Calling is a semi-autobiographical film directed by Pryor himself. It recounts the life of a popular stand-up comedian who must reevaluate his life choices after a near-death experience. This poignant film offers insight into Pryor’s personal struggles.
Some Kind of Hero
Some Kind of Hero features Pryor in a more dramatic role as a Vietnam War POW who returns home to find his life in disarray. His performance reveals his capability to handle serious subjects with nuance and sensitivity while still delivering his signature humor.
Moving
In Moving, Pryor plays an engineer who relocates his family across the country after losing his job. The film comically explores the trials and tribulations of moving, with Pryor bringing humor to the frustration and chaos of settling into a new home.
Car Wash
In Car Wash, Pryor plays a small but memorable role as Daddy Rich, a flamboyant preacher. Set in a busy Los Angeles car wash, the film is a snapshot of life in the 1970s with a soundtrack to match. Pryor’s performance adds to the film’s humor and social commentary.
Bustin’ Loose
In Bustin’ Loose, Pryor takes on the role of a parolee who is tricked into driving a bus full of special needs children across the country. His interactions with the kids and their teacher provide both heartwarming moments and belly laughs.
Blue Collar
Blue Collar presents Pryor in a grittier light, portraying a struggling auto worker who, alongside coworkers, attempts to rob their union. This crime drama underscores Pryor’s range, revealing his capacity to engage with more serious, complex themes.
Live on the Sunset Strip
Richard Pryor: Live on the Sunset Strip captures Pryor in his element as a stand-up comedian, delivering a legendary performance that includes recounting his freebasing accident. This stand-up film is raw and revealing, showcasing his resilience and ability to find humor in pain.
Critical Condition
In Critical Condition, Pryor plays a convict who pretends to be a doctor to escape from custody during a hospital power failure. His improvisational skills and comedic genius shine as his character juggles multiple medical emergencies. This film is a laugh-out-loud comedy that uses a far-fetched scenario to highlight Pryor’s physical comedy and quick wit.
Greased Lightning
Greased Lightning is a biographical film in which Pryor plays Wendell Scott, the first African-American NASCAR driver. This role allows Pryor to explore themes of racism and perseverance, showcasing his ability to take on more substantive issues.
Another You
In Another You, Pryor reunites with Gene Wilder for their final film together, playing a con man who partners with a pathological liar. While not as critically acclaimed as their earlier collaborations, this film still highlights the undeniable comedic chemistry between Pryor and Wilder. Their performances make it a memorable addition to their series of films.
The Mack and His Pack
In this lesser-known film, Pryor delivers a standout performance as a charismatic leader who tries to keep his friends out of trouble. His role is a blend of humor and drama, showcasing his skill at portraying complex characters who are both flawed and likable.
Lost Highway
Although known primarily for his comedic roles, Pryor’s turn in David Lynch’s Lost Highway as an auto mechanic adds a surreal layer to this psychological thriller. His performance, though brief, is impactful, providing a grounding presence in an otherwise intensely abstract film.
